Chuck Jones—the director of Wile E. Coyote, “Super-Genius”—and his co-workers at Warner Brothers worked to a set of rules when creating the Road Runner cartoons:
- The Road Runner cannot harm the Coyote except by going “Beep-Beep!”
- No outside force can harm the Coyote—only his own ineptitude or the failure of the Acme products.
- The Coyote could stop anytime—if he were not a fanatic. (“A fanatic is one who redoubles his effort when he has forgotten his aim.” — George Santayana)
- No dialogue ever, except “Beep-Beep!”
- The Road Runner must stay on the road—otherwise, logically, he would not be called Road Runner.
- All action must be confined to the natural environment of the two characters—the Southwest American desert.
- All materials, tools, weapons, or mechanical conveniences must be obtained from the Acme Corporation.
- Whenever possible, make gravity the Coyote’s greatest enemy.
- The Coyote is always more humiliated than harmed by his failures.
- The audience’s sympathy must remain with the Coyote.
Yet, within those constraints, Jones et al. somehow captured the existential struggle of the lone technologist and his endless, poignant, soul-searing fall…
…to the bottom of a cartoon canyon.
They broke rule #4 for one of the last in the series, Wile E. takes on the role of a professor and gives a lecture on Road Runner anatomy, behavior, capture, etc. Pretty funny.
I’m slightly scared that you have filed that piece of information away in your mind, Timbeaux.